Showing posts with label Power. Show all posts
Showing posts with label Power. Show all posts

Thursday, 16 May 2013

EL84 PP Idea

Well, I was on the train home and was thinking about the Beyma. I was considering have it passive crossover. Using copper foil inductors and Jantzen caps, it turned out to be around US$350. I was then thinking what if I just built two simple EL84 PP amps instead, and then I can experiment with a cheapie PA active crossover. This was, I can tune them and then once the sweet spot found, I can do a hardwired active crossover. Would that be cheaper?

Anyway, more incoherent thoughts later, see below. 2.6W in SE mode, and thus is Class A PP, it'd be 5.2W. 2nd harmonic should cancel out (mostly) and the 3rd harmonic should sum, but the predicted 3rd harmonic is pretty low. The PSU below using a choke input. It could be a simple, 'cheaper' build. But it could also be quite good. The output transformer is 8k in SE operation.



Friday, 10 May 2013

Oarta output transformer

It looks like the Lundahl LL1623 rated at 90mA would be the best choice for this amp. The amorphous core price is less than half of the Tamura, but more importantly, it is available. The interstage transformer would be the next choice. This would probably be the most important choice, given the different voltage swings that needs to be accommodated by the different tubes.

I think at this point, it would be important to at least try to limit the range of tubes to be used. This has to be correlated with my current stash of tubes. In this, I would say that there are four families that I would like to run:
  1. 45, 145, 245 and 345. I have a number of pairs and have been universally hailed as an excellent audio tube.
  2. F2a. I have three pairs of these long life tubes.
  3. KT88/EL34 family. I have two quartets of the KT88 and EL 34.
  4. 300B. I have one pair. 
Looking at the above, it would make most sense that I provide more effort towards the first three families given the volume of tubes on hand. With the 300B narrowed out, the voltage swings required are now limited to 30 Vpp to 60 Vpp, a little more sensible. This would mean that a tube with a gain of 20 would be plenty. At this point the 5687 and C3g seems the right direction. If I use a higher gain tube, I can use a step down interstage, which should be a good think overall. The other option, is to allow a different tap on the interstage to be used to connect to the grid of the output tube, which can select between say 1:1 and 2:1. But this may affect the performance and bandwidth of the interstage.

More questions... 


Tuesday, 7 May 2013

Oarta Output Transformer

It seems that the Tamura F5003 is in limited supply, and may not be available. So I may have to revert to another brand of amorphous core. Maybe Lundahl?

Saturday, 4 May 2013

Oarta PSU


One interesting point is that if the PSU is cap loaded with a 10uF, at 200mA, it will give around 380V. But if I remove the cap, and have it choke loaded (using the LL1673), at at loads of around 100mA to 150mA, it will give voltages of 260-280V. Perfect for 2A3 and 45. So in this case, if I can provide switchable PSU filter, I can further extend the range of usable tubes, rather than using resistors to drop voltages.

Oarta - Some Design Images


PSU Design.


KT88. 400R cathode 
300B. 740R cathode


KT66. 300R cathode.
EL34. 400R cathode - can share the same plate as KT88.
6550. 400R cathode - can share the same plate as KT88.

The Oarta - One Amp to Rule Them All

It has certainly been a quite a long time since I have done ANY DIY audio stuff. I blame this due to my relocation to Hong Kong for the last 18 months and having young kids. There just ins't time. Well, with the imminence of return back home on the horizon, I have started to dream up what I will finish up. In this long time away, I have realised that I like variety. But I don't want to build too many amps. So, I have taken a few ideas, based around a SET and merged it into one amp. Which I call - Oarta, or One Amp to Rule Them All, not exactly creative.

The basic premise of this amp is that the PSU will allow the supply of around 390V at 200mA max, with heater windings two sets of heater windings, 2x 6.3V at 2A and 1 or 2 5.0V at 2. This should allow me to use a large range of tubes that I have on hand: F2a, 300B, KT88 and EL34. And also open up a whole range of other tubes that can run at those voltages.

The second part is a universal output transformer. I have chosen a 5k tap, but may move to a 3.5k for more power. For this amp, it will be no compromise, so a amorphous Tamura F5003 or F5002 will be on order. The driver stage will be a medium mu (think around 20) that is interstage connected to the output. To accommodate the wide range of output tubes, I will probably want a higher gain stage, so C3g triode connected may well be the final choice.

The trick here is to allow the switching of the output tube. To this, I am thinking of an adaptor plate that allows the socket and cathode resistor to the changed. The bypass resistor will then be mounted on the chassis. In this way, I can have a large film cap that isn't changed with each socket. On each adaptor plate will be 5 connections; grid, plate, cathode, heater + and heater -. I need to find safe and reliable connectors that allow me to change.

The final trick is have a 6.3v and 5.0v winding, and finding a method to accommodate a range of heater suppliers. For the indirectly heated 6.3v tubes, this is no issue, but with the DHT tubes, like the 300B, PX25, etc., this will need some more work. There may need to be an allowance for something like the Tentlabs filament supply, that can run from the 6.3v to power a 5.0v and run from the 5.0v to power a 4.0v tube.

If this can be made to work, I have an amp, Oarta, that will allow me to change tubes, without having to change anything else. This will allow me to not skimp on the rest of the components, knowing that it will be universally applicable. At the moment, my current thoughts for the design are:

PSU.
Amplimo 7N1474 Transformer (here - I may need to supplement with additional heater taps)
2x 6AU4GT diodes
Cap input 10uF ASC Blue line
Two LC stages with Lundahl LL1673 200mA (here) each with ASC 50uF.
I am thinking about a separate LC stage (15H with 40uf) for each channel and an additional LC stage for the driver.

The main issue with the PSU is finding space for all the ASC oil caps and the chokes.

This will give me around 386V of B+ at 190mA current draw (simulating with PSU Designer). At this B+, the following would be the power output with different tubes (from SE Amp CAD) using F5003 all running at 80mA per tube.

300B: 7.6W with 120 Vpp
KT88:  6.8W with 62 Vpp
EL34: 8.8W with 60 Vpp
KT66: 4.5W with 46 Vpp
F2A: 5.8 W with 32 Vpp (by hand)

And I would think that this would also work with tubes like GU50, PX25 and some of the other more rare European or exotic NOS tubes. And if I don't mind burning off voltage as heat, it could be used on 2A3, 45,  AD1, etc. - again, options. Beyond these, there are still a number of issues to work through, but in my mind, the concept already has been resolved. I am now thinking about cathode bias for the driver, and most likely will head down the LED route. Given the C3g triode seems to work well with around 2.0-2.5v bias. 170V at the plate, 2.5v bias 15mA. Nice and simple.

The main course of action now, is to determine how best to build the adaptor plate, this will make or break the design. It must be safe, easy and high quality to preserve the rest of the amp design. And the last question is how to deal with the different voltage swings required by the various tubes. Which differ by a factor of 4. I do not want to simply waste it by using an attenuator, and the first thought was to have taps on the interstage, which would allow me to choose the right ratio, 1:1, 2:1 or 4:1. This I think is possible with the Sowter 9525. But I probably want to avoid changing the IT ratios as that will change the frequency response characteristics.

Or I could just vary my source output - say between +0 dBV, +6 dBV and +12 dBV. (Which incidentally is possible with the Wadia 121 DAC that I am considering, see manual). Or, I could just accept it, and have to set the volume levels differently for each tube. This though, needs more thought and consideration.


Saturday, 7 May 2011

Aleph 30

One of the projects that has been sitting on the shelf for some time has been the Aleph 30. I originally got the PCB from Chipamps about two years ago, and got most of the parts a year ago. Recently, due to my interest in the F4 amp, I decided it was time to finish this project sooner, rather than later. To that end, I purchased a Torodial transformer from Tortech, a 300VA dual 18V type. The only parts needed to complete this is a chassis and the heatsinks.

Regarding the heat sink issue, I have been exploring various options in my mind. Using the standard off the shelf heat sinks from someone like a Conrad Heatsink. Another option floating around is using heavy weight structural steel sections. I was thinking a 380PFC section cut to around 300mm in length. This would also form part of the top chassis. It weighs around 55.2 kg per meter, so a 300mm section would weight about 16.56 kg. Plenty of mild steel mass to sink the heat. But not sure if this would be a good thermal solution. More experimentation to come.



For those who are unfamiliar with a 380PFC, it is a parallel flange section of structural steel, much like a channel. It is 380mm in depth and comes in 6, 9 and 12 meter stock lengths in Australia. Because of my work, I can easily access these kinds of sections and in any length. It could make a wonderful, or disastrous solution.

Thursday, 5 May 2011

F4 PCB and some Parts


They have arrived. The 4 sets of PCB and the active parts for the F4 amp. The cost, US$126 for the semiconductor kits from Tech DIY and US$77.95 both including postage to Australia. Looking forward to getting the rest of the parts!

Sunday, 1 May 2011

F4 Parts Sourcing

Currently looking around for the parts for the two F4 amps that I have on my mind. With the active devices already purchased, the choice is now narrowing for the remainder of the passives. I have elected to purchased 4x PSU PCB from Brian at Chip Amp as it allows a fairly straight forward build. I have use his kits in the past, quality and service is very good. The main question is how much to budget for this build. With the use of high quality resistors and capacitors, the passives alone for a 4 channel build will be close to the US$1,000 mark. The thought of diminishing returns start to play a part here.

PSU:

  1. Rectifiers - The specified ones from Brian are the MUR1560, which are 600V 15A ultra fast diodes. The schematic in the F4 manual states of 35A 200V bridge. The other option is an IXYS HiPerFRED Epitaxial diode DSEP 12-12A. The IXYS seems more favourable as it can handle higher voltages at 1200V and has a faster recovering time at 40 nS. Looking at Mouser, I also found IR 15EYX06, 30ETH06 and 15ETH06 interesting as their recovering times are 18, 28 and 22 nS respectively. This will require more research.
  2. Capacitors - I can find three main choices; Panasonic TSHA, Mundorf SI and Nichicon KG Snap in.
  3. Filter Resistors - This can either be a parallel group of 0R47 5W resistors, or a low value inductor. For the resistor option, Mills MRA-5 and the Caddock MP915 15W seems to be the most sensible options. But only the Mills is available in the 0R47, and that from Parts Connexion... This is important as it also is the resistor on the source (?) of the MOSFET and I would like to get them in bulk, since there will be so many, 14x4 = 48 in total. The use of a very low mH range inductor here as an alternative may be as much an economical one, as a design choice. the Hammond 159ZJ 10mh/5A or the 159ZL 2.5mH/10A are around US$26 each, where as Caddock resistors will be in the range of US$20 and Mills around US$10. The question is, will a choke be a better design choice.
  4. Transformer - Amplimo makes a suitable 500VA range. That should be more than adequate for 1 channel. But at Euro 94.96, it ain't cheap. Even moving down to the 300VA range, is still Euro 70.45 each. I will need 4 such transformers.

Signal:

  1. Resistors - For the source resistors, see above. The gate resistors and other signal resistors will be something like a Tantalum, Carbon composition or Charcroft type. The other supporting resistors will be high quality Takman, Kiwame, Amtrans or similar.
  2. Capacitors C1, C2 - Appear to be signal coupling capacitors, connecting directly to the gate resistors. Something more special needs to go in this place, possibly an electrolytic with a high quality film bypass. Nichicon ES Muse may be a starting point. Maybe a Mundorf Bipolar as an option. The board only has minimal space for the coupling capacitor, a Mundorf Tin or a small value copper in paper oil maybe possible. Given the feedback about Teflon capacitors and this design, I want to stay away from this combo, and keep towards a metal foil type.
  3. Capacitors C3, C4 - Seem to be power supply only, nevertheless, something like a high end Nichicon KZ or a Sanyo Os-con will do nicely.


Friday, 29 April 2011

The journey to the Pass Labs F4

Having set a path forward with the headphone side of my audio setup, I thought it appropriate time to look back at the stereo setup. I am quite satisfied at the current crop of speakers sitting in boxes, ready to be mounted onto cabinets. With a move to a home with a more fitting stereo room, I think it would make an ideal start in comparison of the speakers.

In this same vein, I have started to review the amps. I have a range of 1W and 8W tube amps ready to be assembled and tested. At the moment, most of my speaker drivers are in the 95 db+ range, and can be considered efficient, with the exception of the Jordan JX92s.

Reading through the various articles about amplifiers in the voltage and current domains, my conclusion (which is very similar to many others) is that tubes are excellent voltage gain devices. They work primarily in the voltage domain. To get them to power speakers, one has to convert some of the voltage into current, hence step down transformers. The output transformer takes, typically, hundreds of volts and milliamps, and transforms that into tens of volts and potentially tens of amps. This is then able to drive a speaker.

Though I have not much been interested in MOSFETS or transistors for amplifying devices, there seems to be a movement towards using them where their strength lies, in the high current domain. In a sense, they operating in tens of volts and tens of amps (or thereabouts). Most popular power amps are of the transistor type, and are able to produce hundreds of watts of power.

The debate between what is better; tubes or transistors, I think will never be concluded, as it is a function of taste. Each to their own. So far, I have experienced primarily tubes, and I like them not only for their sound, but their nostalgia and appearance. For me, a glowing red tube is so much more attractive than a massive heat sink. The fundamental problem, taking aside taste, is one of power. Tubes cannot really go above 100W, and if we limit ourselves to the single ended affair, probably not above 30W, sensibly.

I think what I, and other SET fanatics crave is more power. The only way to achieve that is to operate the tubes at an ever higher voltage and current. I have not found tubes that really work well in 16W plus in SE operation that operates at less than 800V. The 6C33 is close, but operates at a very high current of around 400 mA. The high current represents its own problem in transformers and chokes.

Fundamentally, what I have come to understand is nothing new, or earth shattering. However, it was important that one reach that conclusion in one's own time and way. My tastes at the moment favour; Single tube SE or one tube pair PP, both in Class A. Further, my goal would be 32 Wrms of clean power, irrespective of speaker efficiency.

Now that I am at this point, I find that I have two paths to move forward with. First path is with a high voltage SET, like the GM70, 211, 845 or similar transmitter tube. The other, a hybrid solution mating a tube front end with a transistor output stage.

Since I have ruled out high voltages, that only leaves the second path, one of a hybrid approach. Having only casually explored the hybrid path, I have come across the Moskido design, which is a hybrid of the Aikido design with a MOSFET output stage. The other design is one of a booster amplifier, after a tube output amp. Having further researched this idea, I came across two interesting solutions; DIY Hifi Supply Fusion module and the Pass Labs F4 impedance converting amplifier.

The Fusion module seems to be very easy to implement, with the addition of a low voltage power supply and the insertion of the module. It looks like a current amplifier that is probably in parallel with the speaker. It probably includes some kind of Class D chipamp operating as a current amplifier.

The F4 is more interesting. Now only has it got some really good reviews, it is a similar approach as with Andrea Ciuffoli in his "100W Hi End Hybrid" design. Any which way, they are both interesting approaches and designs. The F4 has a cult following in the DIY Audio community, and there are PCB boards available as well as volumes of forum postings about this. For me, that makes it a safer design, as it can be supported by a range of people who have built it.

Having come to this conclusion, I ordered 2 sets of the PCB boards from the DIY Audio Forum store. Also ordered the matching number of sets of the active devices from Tech DIY. I hope to start the build soon, and share what I have research and progress to date.

Tuesday, 15 March 2011

Long Weekend Summary

It was a good audio weekend for me. I got over five hours of good listening sessions over the three days. During this time, I spend listening to both the AD700 and the DT880 with the Ear+. The sessions were both enjoyable and allowed me to take stock of the projects that I have going, and focus my efforts on those which can be fulfilled as quickly as possible. The Ear+ performed well over the weekend, with no playing up. I did notice that this amp gets very hot, even the chassis and the wood side panels. This is probably due to there bring no ventilation at all in the chassis. There are no air vents, holes, slots, etc, where air can cool the transformers and diodes. The two transformers are completely enclosed in the steel box above, and thus rely purely on the black case being cooled. This is something that should be addressed if, and when, I rebuild the amp.

The Headphones

Being able to compare both sets, with similar amount of burning in, on the same system was enlightening. The method I used to test was not very scientific, nor very systematic. Very simply, I listen to various music on each one for about and hour and then swapped. No scientific A-B testing, but a lot of the music was common between each session. Both headphones have had at least five hours of burning in, and both have experienced the full works of Handel’s Messiah and the four Coldplay albums during the burn-in. Some initial findings.
  • Bass is firmer and better controlled on the DT880.
  • Generally more detailed on the DT880.
  • Sound is more open, possibly a larger sound stage on the AD700.
  • More depth to the music in terms of extension of frequencies and layering on the DT880.
  • More engaging, vocals more addictive on the DT880.
  • A little flat or boring on the AD700.
  • Overall musical presentation on the AD700 seems to be more ‘dynamic’, and more balanced with the DT880.
  • Comfort was better with the DT880. It had even pressure between the headband and each headphone. A light, constant pressure, which was quite comfortable.
  • Comfort on the AD700 was a little different. No pressure on the head via the 3D wings. The headphone itself had pressure at the lower end, and very little on the top of the headphone. Overall, comfortable, but a little strange to get used to.
Comparing the two headphones, whose price difference is double, is probably not a fair comparison. However, when I listen to the AD700 it was enjoyable and musical. It was only when it was replaced with the DT880 that the AD700’s limitations were made apparent. However, I could not complain about have either headphones in my inventory. They do present the music in a different manner, and perhaps in a complementary manner.

In the future, I plan to write reviews based on each amp used with different headphones and each headphone used with different amps. This can begin once the HD650 have been repaired and returned. To this, I plan to add a pair of Grado’s and maybe a few more from AKG, Denon or Audio Technica.

When using the Ear+ amp with the AD700, the volume control was around 50% to 70% range depending on the program material, and with the DT880 it was between the 70% and 100% range. Obviously, not a great match with the DT880. With the 600 ohm version, I’d suggest that there just isn’t enough voltage at the headphone terminals. The Hammond 119DA used in the amp has a ratio of 600:8, which may be a little too high to provide enough voltage. They seem to work well with the HD650 (from distant memory), but it struggles to get enough volume with the 600 ohm DT880.

Projects

Having the time to review the stock piles of components, PCB and project ideas has led me to the following conclusion. There are three projects that have are fully funded with all components on hand, that require assembly and chassis work. They are, in no particular order:

  1. D3a Headphone
  2. K and K ST70 Upgrade
  3. Aikido 5687 PCB Headphone 
The Aikido build is something that I had time to dig up and check over, ensuring that I had all the necessary components. The only items missing for the above three projects are the chassis work and the large output coupling capacitor for the Aikido 5687. I do have a pair of Solen 47uF MKP on hand, which would work well with 300R plus headphones, but given I have the AD700, and plan on a pair of Grados, it may make sense to budget in a large pair (say 200uF plus) to allow them to be used. To expedite the construction, I have ordered a number of custom aluminium panels from Front Panel Express. They are basically a small panel with cut-out for the tube sockets. This then allows me to cut the timber chassis without exact precision (i.e., oversized hole). Preserving the convenience of metal panel, on which most of the circuit can be assembled with stand-offs and tag boards, and keep my aesthetically desired timber external.

During this time, I also took the opportunity to order the replacement active components for the Crack. To piggy back on the order, I also topped up on the Neutrik headphone TRS plugs, some additional heat sinks and enough active components to make another Speedball.

The goal is to complete all three projects by Easter this year, which is in late April. All the chassis timber work will be done at once as well as the assembly. I am estimating that it’d take the better part of a week or evenings and a few day sessions to complete all three projects. The ST70 mod and Aikido will probably be the quickest, given it has a PCB based construction, making all the wiring and soldering much faster.

Future Projects

Having the opportunity to take stock of the current headphone amps and planning on the next stage. What I would envisage is having one amp of each of the major topologies to be able to evaluate and compare how they perform. To that effect, I have come up with the list of the final assemblage of headphone amps. With each of the project, I eventually plan to have a page dedicated to each of them, providing information, schematics, photos and possible upgrades.
  1. Transformer coupled. D3a project. All parts collated, awaiting chassis assembly and build.
  2. Parafeed transformer anode coupled. To be determined, most likely a clone build of the Espressivo or L’espressivo and another link here.
  3. Parafeed transformer cathode coupled. Maple Tree Audio Ear+, completed.
  4. OTL. Bottlehead Crack and Speedball, completed. Awaiting repair of RHS Driver CCS.
  5. Aikido OTL. All parts collated (except output coupling capacitor), awaiting chassis assembly and build.
  6. Tube/Mosfet Hybrid. Mini Max Millet, completed.
  7. Transformer coupled with negative feedback. Elekit TU-882R kit ordered, awaiting delivery and assembly.
  8. Ultimate Headphone Amp. After the completion and analysis of the above amps, an uber-no expenses spared amp based on the design and headphone that best meets my needs and suits my taste. I am hoping that the D3a would be that amp, but until it is built and compared, this project is still the ultimate goal.
With regards to stereo amp projects, as mentioned before, they are taking a back seat to headphones for the time being. This is primarily due to the lack of appropriate space in the current house and young kids. But for the moment the project on the cards are:
  1. K and K ST70 Build 8W. All parts collated, awaiting chassis assembly and build. I should start referring to this as the Class A, fully differential push-pull triode amp.
  2. Ultrapath DRD45 1W. All parts collated (some have been scavenged for the projects above), awaiting replacement parts, chassis assembly and build.
  3. F2a amp 6W. 4 tubes on hand and sockets, everything else not yet sourced. Yet undecided on whether it’d be a SE or Class A PP design.
  4. Future 32W Tube. Unknown design, topology and tubes complement at this stage, but planned.

Monday, 17 May 2010

Tuesday, 11 May 2010

6c19p SE Design Idea

Here is a quick idea for a simple 6c19p SE design.

  • Operating point at 210V at 45 mA with -80V at grid.
  • Say 300V at B+
  • Swing from -5V @ 40V @ 70mA to -160V @ 380V @ 25mA.
  • Loadline at 5k or 7k5 both have similar outcome.
  • Require a grid signal of around 50Vrms to drive to full power, with a bit of headroom to avoid A2 operation.
  • Assuming 2Vrms input, require a driver stage with a gain of around 25 minimum.
  • CSS loaded input stage could use C3g, 6n6p, 6DJ8/family, 6/12SN7, etc, a lot of tube choices in the medium mu grouping. Given the B+ of around 300V, operating the input tube at around 200V would be ideal.
  • Normal cathode biasing and capacitor coupling.

The great thing is that I have most of the parts lying around, with the exception of the power transformer. This can make good use of the Lundahl choke rated at 150mA, the CSS kit from K and K Audio and a few Jensen and Cerafine electrolytic capacitors. As usual, my enemy is time in getting around to hooking it all up. This would make a nice stereo amp. Maybe a schematic to follow.

This could even work for swapping out the output tube for a 45, by changing the bias capacitor and heater supplies. With B+ at 300V, the 45 could be 250V at 50V bias. Could work as a great convertible experimenter's amp.

Tuesday, 2 March 2010

Different 45 Operating Points

Working out the operating points using the traditional ruler method and the RCA charts has been fun, but using TubeCAD's SE Amp CAD was not only much faster but produced far more information. The parameters are using a Tamura F5003 (Amorphous core US$600+ each transformer) with the plat at 202V biased at 35.8mA, results in an output of 1.3W and a distortion profile of; 2nd @ 1.7% and 3rd @ 0.1%). The input voltage swing required is 60Vp-p. If we wanted to maximise power without going into Class A2 (positive grid current), then the input swing would be 66V, and this results are 1.6W and a distortion profile of; 2nd @ 2.1% and 3rd @ 0.2%. According to SE CAD, %I max is 100%, %V max is 73% and %W max is 91%. Running the 45 reasonably hard. This will also be run with the Lundahl Amorphous core LL1620 or LL1623 output transformers. See the curves below.

Working on the assumption that we keep the 45 in Class A1 (i.e., no positive grid current), then the driver stage will need to deliver 23Vrms or 66Vp-p. If we assume that a 2Vrms signal is capable of being delivered by the preamp, the driver stage will need to have a gain of say 12x. This brings into contention a large range of tubes beyond the higher mu and high gm types (presently been considering C3g, D3a, 5842, etc.). Using a 1:2 transformer, either in the grid position (i.e., Lundahl LL1670) or as the interstage, would mean that the gain required by the driver itself is lowered to 6x. Opening up a range of DHT tubes. On the other hand, if a 2:1 interstage transformer was being used, then the driver stage will need a gain of 24x, BUT the impedance driving the 45 would lowered.

In one thought exercise, I might be able to get away with a 26 Tube into a 1:1 interstage transformer, and using the 1:2 step-up function of the Lundahl grid choke to provide a gain of around 15~16x. This would necessitate another Tentlabs Filament heater (to reduce hum) and probably far more attention to reducing microphonic and hum effects on the 26. Considering I already have starting a small stash of 26 tubes, this may be an interesting option. With various reports about the sound of the 26, this may be worth the effort.

At present, if using a 26 driver, the B+ for the 26 would be less then 200V, which means I can use a pair of 0C3/VR105 regulator tubes in series to provide a stable voltage for the 26. Perhaps a pair of 0D3/VR150 might be better if we were willingly to drop some voltage over a divider network. Consideration will be made to regulating the B+ for the 45 tube.

Friday, 26 February 2010

The 45 Concept

For those who have read some previous entries in this blog, you will no doubt have read my ramblings regarding my directly heater triode amp. It began as the 300B story, and thus far, ended at the Electra Print DRD45. Having gained more insight into amp design and building, as well as more reading into the various standard reference books and Internet forums, I have concluded that the 45 is the tube to stay with. Helped in no small part to my 20+ 45 tubes. And in some twisted logic, I still hold that the 45 is a good tube for those wishing to trying different NOS brands and new stock. My reasoning to this; there are good range of NOS 45 available. They are easy to find and readily available on most stores and the price is still the sub US$100 per tube. The globle versions (UX145, UX245, UX345 and UX445) are much more sought after and range in US$150 to US$200 per tube. Whilst expensive they are still readily available. In terms of new production 45, I have only come across the Emission Labs and TJ brands. The range of available 45 is great and the NOS supply is still relatively affordable. This is in contrast to the 300B, 2A3, PX25/60, AD1, 50, 211, 845 and all the other DHT power tubes.

The 45 amp in broad design will be:

  • C3g driver tube. Either Triode of Pentode mode. To be reviewed.
  • Interstage Coupling. Using 1:1 or near interstage from either Sowter, Lundahl or Tango-ISO.
  • Fixed grid bias for 45. Using Tentlabs Negative Bias Module
  • Filament heating through Tentlabs filament module for 45.
  • Output Transformer is Electra Print 5K with 8R and 16R output. May consider changing to Tamura Amorphous core when the finances allow.
  • Passive PSU with 2 choke stages. Using a Lundahl LL1673/140mA common mode choke and an Electra-Print 5532 choke for each channel. All capacitors to be ASC Oil X386 types.
  • Rectifier tube 2x6AU4GT.

Most of the parts will be recycled from the DRD45 build that has yet to be done. This will be constructed as a stereo block with no attenuator.

Operating point of the 45 would be at the standard 220V with a -40V bias at 36mA onto a 5K load. Output should be around 1.3W, and will require the driver stage to provide around 40V of swing, or 80Vp-p or 28.4Vrms. If we have a sensitivity of 2Vrms then the driver stage needs to provide a gain of around 15x. An easy task for the C3g. The mu of the C3g is 40, so it might be worthwhile to consider using a 2:1 step-down interstage transformer. This may help reduce the reflected load and increase bandwidth. Being my first self designed amp, the above operating points may be completely wrong. However, it is a start, nonetheless. The other interesting note is that with the gain requirement of the driver stage of 15, it may open up possibilities of using an alternate driver tube, even using another DHT. Nothing ground breaking here.

Below are the heater requirements.

  1. 45 Tube: 2.5V @ 1.5A = 3.75 W per tube total 7.5 W.
  2. C3g Tube: 6.3V @ 370mA = 2.33 W per tube total 4.7 W.
  3. 6AU4GT Tube: 6.3V @ 1.8A = 11.34 W per tube total 22.5 W.

Total Heater consumption = 35 W (approx). More to come later.



Wednesday, 26 November 2008

More Decware SE84 Information

Just wondering if I wanted to change the rectifier in my SE84 kit from the N4007 to a 5U4G the wiring would be as shown in your manual "ZSmanual.pdf", in which the following wiring is shown:

  • Two Red from the secondary is connected to the anode of the 5U4G (pin 4 and 6)
  • Red/Yellow to ground
  • Two Yellow from the secondary is connected to pin 2 and 8 of the 5U4
  • Yellow/Black connected to the input capacitor.

Question is, on the "ZSmanual" schematic, the first RC filter resistor is rated at 50W, whilst on the SE84 kit it is a 6W. Do I need to change it to a 50W dale, or similar?

[Steve/Decware] You are correct about being able to wire the tube rectification as per the SE84ZS schematic. The 50W Dale used in the SE84ZS is not required. We chose that particular resistor because it is a 1% tollerence and like the way it sounds. The 6 watt dale will be absolutely fine.

Friday, 7 November 2008

Decware SE83

After looking around for simply HV tube kits, I came across Decware. They make the Zen SE83 tube amp in a range of configurations. As you may know (and can find out more from the site itself), the base model is around a 1.5W to 2W Class A design using a Triode connected pentode as the output tube. The arrangement is clever in that it can appear to bridge two amps together to form a higher power 6W or so SET amp. The claim is that the sonics are not reduced. However, of interest to me specifically, is that they offer a almost all parts (minus power switch/socket, chassis, etc) kit for the same amp design for a reasonable price. The kit comes with output transformers, power transformers (with international windings of 240V, a great move unlike some other kit manufacturers who refuse to sell and/or option the power transformer for anything but 110/120V). So like all good things one comes across, I ordered the kit and started to think about upgrading the kit already!

The question was why did I abandon the Uniamp and the DRD45 project for this? Firstly, the power transformers for the Uniamp are playing up, and may have been shorted or wound only for 110VAC. Which is annoying. Secondly, I am still somewhat hesitant in doing a point to point job on the DRD45 with 500VDC without first working on something somewhat safer (that was the point of the Uniamp). Since the Uniamp hasn't got around to working yet, but I am still keen on a tube amp, this seemed to be a good alternative.

Looking at the schematics, the circuit looks to be a fairly typical SET with a PI (CRC) PSU filter, AC heater windings, grounded cathode input stage with a capacitor coupled to the power stage, all of which seemed fairly typical. However, on closer examination it appears that the output stage is somewhat unconventional. The output transformer is not connected to the ground! The two output terminals are connected direct to the speaker. Thus, no connection to the ground at all. On the input side, one is connected to B+ (specified at 346V DC) whilst the other is to the anode of the output tube (6BQ5, etc). This feature, is, according to Decware, what allows two amps to be connected as a bridged amplifier. I would love to investigate this further. A true SE amp of 1.5W ish, can be instantly converted to a 6W SE amp! Sounds tempting.

After ordering and reading through some of the information on the site, I sent Steve of Decware some questions, here are his responses. (Reproduced with his permission)

1. Can I substitute the SS diodes in the kit for a Tube rectifier? Like a 5U4G or similar. Looking at the schematic of the kit it appears that there is a secondary winding on the power transformer that is unused, I assume it is a 5V designed for the rectifier?

[Steve/Decware] Yes, the power transformer has the windings for a tube rectifier.

2. To connect in series bridged mono mode, what is the process for series connection? Would it be a series connection between the two output transformers; connecting - of transformer 1 to + of transformer 2 and then the speaker to + of transformer 1 and - of transformer 2. And at the input end, both inputs would be connected to the same signal.

[Steve/Decware] Yes.

3. As a later date upgrade, could I replace the AC heaters with a DC regulated supply or similar.

[Steve/Decware] Possibly, but it’s debatable if it would actually be an upgrade. You best bet for future upgrades is to focus on trying different coupling caps. The board has been designed to accommodate both the small stock cap as well as large after market caps.

4. Does the point-point wiring have audible differences to the PCB?

[Steve/Decware] Yes, but this board is quality designed so the difference is minimal. The tube rectification would make a much more noticable change than point to point.

5. In the future, am I able to order just the transformers from you, where I can source my own parts elsewhere?

[Steve/Decware] Yes, I plan to make it possible to order just the transformers or board next time I edit the web site.

6. The 0.1uF coupling cap that forms a R-C filter, can I up the value to lower the f-3dB point?

[Steve/Decware] You can, but I wouldn’t recommend it. The bass is perfect as is, and the phase response is exactly where I want it.

7. Do I need a preamp? I would like to run this direct after a phono stage (with say 40 dB of gain)?

[Steve/Decware] No preamp needed, no. Your input sensitivity will be 2 volts. You can achieve close to that with a 5mv cartridge like the Grado and a stage with 42dB.

8. Can I replace the 1K/6W PSU resistor with a choke (I have a few Hammond 159P 10H/125mA/155DCR)

[Steve/Decware] You can, but the fundamental signature of the amplifier will change as will the clipping characteristics. Right now the amp clips gracefully. If your goal is to get the best sound possible you might try it both ways and see which you like better.

9. Can a cathode bypass capacitor be added to the 6922 tube as well? Perhaps something in the range of 220uF to 1000 uF to assist with reducing any chance of NFB.

[Steve/Decware] Again, it can obviously, but you’ll want to listen to it both ways on a variety of tubes and determine which you like best.

10. Will the board fit larger (more exotic) coupling caps? 0.1uF? Can I say put a Mundorf Silver/Oil or a Audionote/Jensen copper in oil, etc?

[Steve/Decware] Yes, the coupling cap area of the board was made with two different hole patterns so you can use either small or large caps.

11. There should be no issues replacing the PSU caps (33uF/450V) with a few 30uF ASC oil caps I have?

[Steve/Decware] Probably not, other than a small change in the power supply ripple.


Thursday, 30 October 2008

Tube Substitutes for the SE84

Currently investigating the Decware SE84 kit. The tubes used are some fairly commonly available tubes with a number of interesting equivalents. I like the tube complement because you can get a huge range of NOS, current production and Russian/Chinese equivalents. Great opportunity for tube rolling!

Input: 6DJ8, 6922, 6N1P, E88CC, E88CC/01, ECC88, CV2493,CV2492, E188CC, 7308, E288CC, CCa, 6N23P or 6H23, 6N11, 7DJ8 (different 7V heater).

Refer to this link for more info.

Output: EL84, 6BQ5, SV83, 7189, 7189A, CV10321, CV2975, CV8069, N709, 6P15, 6P14P.

Refer to this link for more info.

Tuesday, 31 July 2007

300B Dream

The DIY/Audiophile/Tube world seems to be filled with 300B designs. Many writers and builders place the 300B at, or near, the top of any 'most desireable' power output tube. Having never heard a 300B amp, good or bad, I have decided to follow the flock and build myself a 300B amp. There are a raft of designs around the Internet for the 300B, ranging from the original WE designs, RC designs (Angela, Audio Note Kit, Reinhardt, etc), exotic DC designs (Electra-Print), parafeed, transformer coupled, etc, etc. There are just so many!

Not being an audio designer, or electronics engineer, I have to rely largely on other people's designs, skill, knowledge and experience to put together something that will not; kill the builder, kill the end-user, burn or otherwise destroy property; and at the same time, sound decent and be reliable. It is therefore important that I not only use designs from people who really know what they are doing, but that I also understand the theory and design of the amp, so that I will not be simply soldering.

Not wanting to do the now conventional/standard RC approach, I decided that this amp should make use of technologies, designs, and topologies that are somewhat different. From reading the various information, it appears that the a 300B amp is best suited to its now 'classical' configuration, the Single-Ended (i.e., Class A) design. Further reading and research, suggests that the importance of the 'audio chain' begins backwards from the speaker. Taking this logical, the critical audio path, in regards to the power amp is as follows:

  1. Output Transformer
  2. Output Tube Stage
  3. Power Supply Stage
  4. Stage Coupling
  5. Driver Tube Stage
To thus 'rough-out' the basic design requirements. The output transformer should be as high quality as possible. Some of the commonly touted high-end transformer manufacturers include (in no particular order); Plitron, Tango, Lundahl, Sowter, Electra-Print and Tamura and Audio Note UK. Some of these transformers are in the hundreds of dollars, and some special versions, even more. More information will be provided as I research more deeply into this area.

In regards to the output tube topology, there seems to be four designs; Direct coupling between output tube-transformer-power supply), Ultrapath, Parallel Feed and a combo of Ultrapath/Parallel Feed. My main reference is an excellent article in a back issue of Vacuum Tube Valley. This is an important area that I will explore later.

The coupling between the two stages can take place in a number of ways; direct coupling; RC coupling, transformer coupled, Loftin-White, using active (semiconductor) devices, and others. Given that capacitors are the components that colour the sound the most, it would seem logical to use or not use only with full and proper understanding of its implications. An area that deserves far more attention.

Finally, the power supply and driver stage will be looked into much more detail later.

After all of that, a preliminary list of the designs that are being seriously considered is as follows; (this may grow or shrink)

  1. Electra-Print DRD 300B (A Loftin-White direct coupled 300B that also uses the Ultrapath technique for coupling the cathode to the output transformer).
  2. Andrea Ciuffoli's 300B PSE/SE (Transformer interstage between the 5842 driver and 300B).
  3. TubeLabSE (CSS 5842 Driver with a MOSFET stage between).

Thursday, 19 July 2007

Irons arrived!

The Edcor output transformer and the Hammond choke has both arrived. See pics. The output transformer is definitely larger than I expected. The grey is not the standard finish, but I got it to match with the output transformer that is being 'custom' made by Edcor. The finish on the end bells is okay, not the best I've seen, but okay.

I have placed on order two custom power transformers from Edcor, with the following specs:

Primary:
230V 50Hz

Secondary:
400V-0-400V @ 150 mA
5V-0V @ 3.0A (5.0V @ 3.0A)
6.3V-0V @ 3.2A (6.3V @ 3.2A)
12.6V-0V @ 0.6A (12.6V @ 0.6A)

That should complete the last of the big stuff for this amp. The chassis will be an all timber affair, approximately 450x300 in size, about 112 deep, with the tubes and transformers on the top side, and choke on the inside. I am thinking of constructing it with 12mm MDF top and bottom, painted black, and the sides of 90x19mm KDHW (hardwood). The connectors, IEC plugs, fuses, switches and posts will be the next to-do.

The tubes have already been purchased. I went with JJ KT88 after some review of stuff on the net and from Vacuum Tube Valley mags. The driver tubes are NOS 12SN7 (hence the 12.6 heater) and NOS JAN 5U4G for the rectifiers.